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This issue contains a number of feature articles so detailed and focused they could almost be tutorials, along with real tutorials which take you through careful step-by-step processes. Scary clowns from Bart J. Mixon, and if you really don’t like clowns there is a blood blaster tutorial!
Howard Berger of KNB on TV space opera The Orville / Bart J. Mixon on producing Pennywise for the original It mini-series / Oscar del Monte on prosthetics that challenge perception for Eduardo Casanova’s Skins / Akihito Ikeda’s intricate Zombie Boy for Monsterpalooza 2016 / Davina Lamont and Göran Lundström on Genius / Glenn Hetrick and Neville Page on the work of Alchemy FX in Star Trek Discovery.
Stuart Bray and Todd Debreceni’s second instalment on latex appliances, Mike Mekash makes a great blood blaster, Anthony Davies and Morgan Kimber on creating a full head makeup using only flat moulds, and Clinton Aiden Smith breaks down Cosmesis Advanced Prosthetics Studio’s work on Stephen King’s The Dark Tower.
Plus: wisdom from multi-award winner Eryn Krueger Mekash, excerpt from a new book on Leading Ladies of Makeup FX by Patricia L. Terry and Gary Christensen, and this issue’s B-Sides covers Todd McIntosh’s work on the 2004 revival of Dark Shadows.
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